Page 1495 - Week 04 - Thursday, 4 April 2019
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(11) How many of the following stallholders were present for each day of the Festival (a) local commercial groups, (b) local community groups (including cultural), (c) cultural groups only (not including diplomatic missions), (d) diplomatic missions, (e) information stallholders, (f) community clubs, (g) interstate community groups, (h) interstate commercial groups and (i) other (specify), for each year (i) 2016, (ii) 2017, (iii) 2018 and (iv) 2019.
(12) What was the total number of performers at the Festival for each of the years (a) 2016, (b) 2017, (c) 2018 and (d) 2019.
(13) How many of each sized stall (3x3 and 3x6) were set up at the Festival for each of the years (a) 2016, (b) 2017, (c) 2018 and (d) 2019.
(14) How many of each sized stall (3x3 and 3x6) were empty on the following days (a) Friday, (b) Saturday and (c) Sunday, for each of the years (i) 2016, (ii) 2017, (iii) 2018 and (iv) 2019.
(15) What was the total Government budget and complete breakdown of costs for the Festival in each of the years (a) 2016, (b) 2017, (c) 2018 and (d) 2019.
(16) How many sponsorships were received for the Festival and what was the total amount of funds received as donations in each of the years (a) 2016, (b) 2017, (c) 2018 and (d) 2019.
(17) What costs are borne by festival participants and what is the cost of a stallholder application in each of the years (a) 2016, (b) 2017, (c) 2018 and (d) 2019.
(18) How much funding was available for the round of Multicultural Participation Grants primarily intended for the Festival and how (a) many applications were received, (b) many applications received the full amount of funding requested, and who were the applicants, (c) many applications received a partial amount of funding, and who were the applicants, (d) many applications were unsuccessful, what was the reason for each unsuccessful application, and who were the applicants, (e) much funding was given to various community groups for the purpose of supporting participation at the Festival and (f) many applications for funding to support participation at the Festival were unsuccessful, what was the reason for each unsuccessful application, who were the applicants, and were reasons for the decision given to each applicant, for each of the years (i) 2016, (ii) 2017, (iii) 2018 and (iv) 2019.
(19) How many (a) staff (b) volunteers were employed for the Festival and what were their roles and responsibilities for each of the years (i) 2016, (ii) 2017, (iii) 2018 and (iv) 2019.
(20) How many electricians were present to support Festival participants for the following days, and what were their working hours for (a) Friday, (b) Saturday, (c) Sunday and (d) other dates (specify), for each of the years (i) 2016, (ii) 2017, (iii) 2018 and (iv) 2019.
(21) How many visitors were present at the Festival for each of the years (a) 2016, (b) 2017, (c) 2018 and (d) 2019.
(22) Which (a) Festival locations were most popular, (b) stage locations saw the most visitors, (c) stage performances were most popular, (d) stage locations saw the least
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